I love Raoul de Keyser
Yet ultimately it is De Keyser's ability to establish tension without fixed points of reference (those titles are as teasingly confounding as Robert Ryman's) that allows him so successfully undogmatic an approach. That figure and ground in his paintings often shift and change places and that the face of the canvas itself can seem so hauntingly fugitive are qualities as significant as any in lending these eroded abstractions their mute force.
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